Chicago theatre credits include Eurydice (Writers Theatre), Dear Jack, Dear Louise (Northlight Theatre - Best Play Nomination, Best Performer in a Principle Role Nomination, Equity Jeff Awards), The Secretaries: A Parable (First Floor Theatre - Best Ensemble Nomination, Non-Eq Jeff Awards), The Wolves (Goodman Theatre - Best Ensemble Win, Equity Jeff Awards), Harvey, The Tragedy of Othello, The Moor of Venice (Court Theatre), Earthquakes in London (Steep Theatre), You On The Moors Now (The Hypocrites), The Sweeter Option (Strawdog Theatre Co.), Carlyle (Goodman Theatre, New Stages), Monstrous Regiment (Lifeline Theatre - Best Play Jeff Nom), Solstice (A Red Orchid Theatre), and Love Song, Northanger Abbey (Remy Bumppo Theatre Co.), as well as X and Mai Dang Lao at Sideshow Theatre.
Regional credits: The Stranger (Peninsula Players), With Love and A Major Organ (Boise Contemporary Theater), A Midsummer Night's Dream (Indiana Repertory Theatre).
TV credits: Chicago Fire (NBC/Universal). Commercial list available upon request.
Sarah is also a stand-up comedian and has performed at shows all over Chicago. Pre-pandemic, she hosted and produced The Missy, a monthly comedy show, with Helen Joo Lee (Black Lightning) and was a featured comedian at The Chicago Women’s Funny Fest (‘18) and Boise’s 208 Comedy Fest (‘19).
Sarah is also-also an award-winning voiceover artist. She plays Primavera Inkwyrm on Where the Stars Fell podcast and Augie Eckhardt on The Vanishing Act Podcast, for which she the won a 2020 Audio Verse Award for Best Performance of a Leading Role in a New Audio Play Production.
Sarah is also-also-also a writer, and her first pilot, Sick As F+ck, was a quarterfinalist for the 2021 Shore Scripts TV Pilot Contest.
Sarah is a graduate of The Theatre School at DePaul University, the Improv Training Program at iO, and Second City's Conservatory.
She is proudly represented by Gray Talent Group.
Finding myself at the MCA. Photo credit: Tia Greer. Taken on an iPhone 5, if you can believe it.